IMAGE:Mapping Climate Change: The Knitting Map and The Tempestry Project exhibition,
Philip and Muriel Berman Museum of Art, Ursinus College. Photo by Sarah Bloom.
This installation features two innovative textile art projects that give visual
and tangible presence to our warming world at a crucial moment of environmental
precariousness. By translating temperature, precipitation, humidity, or windspeed
data into stitch and color, these vibrant works potently and poignantly reveal
the centrality of weather to notions of identity and experiences of place, and
thus “map” a range of encounters from environmental to phenomenological.
Mapping Climate Change: The Knitting Map and The Tempestry Project
Learn more: Mapping Climate Change: The Knitting Map and The Tempestry Project
Virtual Tour: Mapping Climate Change: The Knitting Map and The Tempestry Project
Our Votes, Our Values
IMAGE: Our Votes – Our Values, Letterpress print, 2024, Basecamp Printing Company
One of the most powerful ways you can take an active role in politics is by voting.
Your votes reveal your values - what you consider to be most important in your
life and in the lives of people in your community. This exhibition is organized
around ongoing national conversations that explore connections between the values
we maintain and how those values influence our voting. The ideas that resonate
in this exhibition are meant to empower visitors to make their voices heard in
the democratic process.
Off Kilter, On Point: Art of the 1960s from Colorado State University
Off Kilter, On Point: Art of the 1960s highlights the breadth and depth of mid-century artworks in the permanent collection of the Gregory Allicar Museum of Art at Colorado State University. The exhibition showcases a wide range of media and styles, from abstraction to pop art, and presents novel juxtapositions that reflect the tumult and innovations of their time, exhibiting most of the major stylistic trends in art of the 1960s in the U.S. and Europe.
Learn more: Off Kilter, On Point: Art of the 1960s from Colorado State University
Virtual Tour: Off Kilter, On Point: Art of the 1960s from Colorado State University
Nina Chanel Abney
This fall the Art Museum of WVU will present a solo exhibition by Nina Chanel Abney (b. 1982), an artist whose bold, colorful works on paper draw inspiration from current events and invite viewers into timely conversations.
In Concert: Photography and the Violin
For nearly the entire history of the medium, violins have appeared in photographs in ways that signify talent, status, geography, and culture – and have often been presented as beautiful objects unto themselves. This exhibition, featuring 250 original photographs, spans a period of more than 175 years from the 1840s to today, and includes examples of nearly every photographic process.
In/Humanity: Combat and War in Art
War and combat are inextricably part of the human experience, and art helps us make sense of the ways such conflict brings out the worst—and sometimes the best—in us. This exhibition, in conjunction with the WVU class “The Holocaust in East European Literature and Film,” brings together objects in the Art Museum’s collection for viewers to consider how creative expression in any medium helps us to both understand and reckon the violence of war and combat that permeates our world.
Interior Lives/Deep Focus: Reflections on "Interior Chinatown: A Novel"
Location: Stewart Hall, Second Floor
This off-site exhibition explores themes related to the 2022-23 Campus Read
common reading experience, Interior Chinatown: A Novel
by Charles Yu. It features several objects from the collection of the Art Museum
of WVU that explore how visual artists have chosen to express diverse aspects
of both personal and collective identities.
Learn more: Interior Lives/Deep Focus: Reflections on "Interior Chinatown: A Novel"
Virtual Tour: Interior Lives/Deep Focus: Reflections on "Interior Chinatown: A Novel"
Storywork: The Prints of Marie Watt
Marie Watt (Seneca, b. 1967) is one of the country’s most celebrated contemporary
artists, whose work draws on personal experience, indigenous traditions, proto-feminism,
mythology, and art history. Drawing on the collections of Jordan D. Schnitzer
and his family foundation,
Storywork
is a comprehensive look at Watt’s 30-year career, including more than 60
original prints and sculptural works. The exhibition also showcases Watt’s deep
veneration for indigenous narratives, especially those informed by her own Seneca
heritage.
Water Between Us: Art and the Campus Read
Location: Stewart Hall, Second Floor
This off-site exhibition explores themes related to the 2021-22
Campus Read common reading experience,
The Line Becomes a River: Dispatches from the Border by Francisco Cantú. It
features several photographs of Mexico and its people from the 1930s by American
photographer Paul Strand alongside a series of lithographs that look at borders,
boundaries, and the social and political implications of mapping and identity co-created
by visual artist Enrique Chagoya and poet Alberto Rios—all from the collection
of the Art Museum of WVU.
From the Mountain: Malcolm Davis and the Art of Shino
McGee Gallery
Malcolm Davis (1937–2011) was an internationally recognized ceramic artist who
maintained a studio for more than 25 years in Upshur County, West Virginia. He
discovered ceramics later in life and became a successful potter and teacher renowned
for developing a Japanese-style glaze widely known as “Malcolm Davis Shino.” Featuring
more than 70 objects on loan from private collections, this exhibition celebrates
Davis’ artistic commitment to both beauty and function through a diversity of forms
designed for everyday use.
Learn more: From the Mountain: Malcolm Davis and the Art of Shino
Virtual Tour: From the Mountain: Malcolm Davis and the Art of Shino