Joyce Ice, Director of the Art Museum, joined the WVU community in January 2009, bringing extensive experience in the museum field, including the building of a new wing and developing and programming a new museum plaza for the Museum of International Folk Art in Santa Fe, New Mexico, where she was director for nine years. The opportunity to build and open a new art museum at her alma mater drew her back across the country to her home state. As Director of the Museum of International Folk Art for nine years, she oversaw numerous international exhibitions and accompanying publications, as well as an award-winning school program. She edited a collection of essays, On Collecting: From Private to Public, published by the University of Washington Press (2009). Ice holds a Ph.D. in cultural anthropology and folklore from the University of Texas, Austin. She serves as an accreditation site reviewer with the American Alliance of Museums. At WVU, she was project director for two Teacher Institutes, and currently, is project director for a media grant on Self-Taught Artists of Appalachia.
“Museums offer a place for people to interact with art and one another,” Ice says. “We want people to feel at home and to be energized and inspired by the creativity and skill that they encounter at the museum.”
Robert Bridges, Curator of the Art Museum, earned his MFA in printmaking at WVU. Since 2000, he has organized exhibits in the Mesaros Galleries at the College of Creative Arts. Among them are the international exhibition “Ceramic Art from the Jingdezhen Ceramic Institute” and two national exhibitions featuring the work of American Modernist Blanche Lazzell, a West Virginia native. Bridges is a co-editor of the book Blanche Lazzell, The Life and Work of an American Modernist (2004) from WVU Press. Previously, he was a curator in the private sector in Chicago.
Valerie M. Wright, Museum Registrar and Collection Manager, joined the staff in January 2010. She comes to WVU from Brandeis University having worked at the Rose Art Museum as the Collections Manager and Registrar. Her educational background includes Museum Studies and collection management-focused internships, including one at Harvard Art Museums in Massachusetts. At the Rose Art Museum, Wright managed a contemporary art collection of over 7,000 pieces and the Student Loan collection, coordinated nine exhibitions per year, and also taught undergraduate and graduate student internships.
J. Bernard Schultz, Professor of Art History, served on the museum staff from July 2011 to 2014. Currently, his faculty service appointment remains with the museum, where he oversees the docent education program among other duties. Bernie is active in the Art Up Close! lecture series and in the Friends group. He specializes in Italian Renaissance art and has been recognized for his outstanding teaching. Bernie’s publications include the nationally distributed college textbook Art Past/Art Present with David G. Wilkins and Katheryn M. Linduff. He is a former Dean of the College of Creative Arts, WVU, and he serves as a member of the West Virginia Commission on the Arts.
Catherine (Katie) Roberto, Administrative Associate in the College of Creative Arts Dean’s Office and Art Museum, joined the museum staff in March 2014. Catherine worked as a Mountaineer Temp at the CCA Dean’s Office from May 2013-January 2014. Her educational background includes a Bachelor’s of Science degree in Marketing from Indiana University of Pennsylvania and an internship throughout her college experience with Trib Total Media where she worked on many different projects including Burghmenus.com and the Discover Westmoreland magazine. At the Art Museum, Catherine manages a variety of administrative duties including coordinating trips for the Friends of the Art Museum, organizing the rentals of the Museum Education Center, and scheduling meetings for the museum staff.
The Art Museum will expand educational opportunities for WVU students, faculty and staff while serving as a cultural resource for northern West Virginia and the surrounding region. Funding for the project comes from the University as well as private donors through the West Virginia University Foundation.